Getting to know Texture Photography as highlighted by the Southfield Photographer.

The Southfield photographer likes living by the beach and says there are many texture photography opportunities waiting. Three of the primary opportunities at the beach are: rock, driftwood, and sand.

Rock: Don't assume that all beaches have rock. Some are miles of smooth sand. Nevertheless, whenever a beach does have rock, the rock often has fascinating texture. The Southfield photographer understands some of the best photo possibilities can be found with rock that may be immersed at high tide and yet uncovered at low tide. The sort of rock is profoundly worn by wave action. The softer parts of the rock have already been eroded away while the harder rock is left.
The key is to identify fascinating patterns in the rock texture and stress that in the snapshots. The timing for that style of photography can be a pain in the you know what. Clearly, these shots need to be taken at low tide. Furthermore, the sun needs to be low on the horizon to call attention to the rock texture. Consequently, it will be important to check both the tide tables and the sun rising and setting times.

Driftwood: For any photographer, driftwood can make some remarkable photographs. The wood has a grain which has been eroded by the wave action. This may provide great texture. Aside from that, the wood will undoubtedly be wet which can further amplify the contrast of the texture.
As with most of texture photography, side light works well with driftwood. One of the nice aspects of driftwood is that it can be repositioned to utilize the sidelight.

Wet Sand: Due to wave action, the sand will have patterns. It is merely dependent on discovering some interesting ones. Generally, the ideal opportunities can be found at low tide. If ever the sand does not show any exciting patterns, merely hold off until after the next wave and look again.
A photographer who captures the sand during a colorful sunset could add intense, saturated color to the sand for even better images.
While at the beach, don't make the slip-up a photographer friend of mine made. He set his camera on a tripod and turned his back to the ocean for a handful of seconds. When he turned back, he found his camera equipment was washed into the ocean by an all of a sudden large wave.

Desert

While looking to capture texture images, the desert is a key setting. Texture may be found in the plants, animals, and rock of the desert.
Rock is just about the simplest to photograph. Rock with bands of alternating color works well as texture photography subject matter. The sort of image is ideally shot during the late afternoon. Having said that, if there are surrounding mountains, one can not shoot too late or the rock will be cast in shadow after the sun disappears behind the mountains. Subsequently, a photographer will find the best light usually occurs when the sun sits just above the mountains. This will give the warmest light and the longest shadows.
Also, it might be best to have a contrasting sky. Often, the deepest blues in the sky are located opposite the direction of the sun. This is due to Mie scattering which adds white light to the sky (thus, desaturating the sky). The closer to the sun an area of sky is, the greater the Mie scattering.
One final point, make sure you test a polarizer. A polarizer can sometimes help to saturate the color of the rock and the sky. However, the influence of a polarizer differs dependant upon the angle of the lens with respect to the direction of the light. Polarizers are most effective when the lens is perpendicular with respect to the sunlight. This should actually be taken into account when positioning the camera for a shot.

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